Biographical Sketch
Eftychia Stamkou (b. 1985) is a social and cultural psychologist. She completed her undergraduate studies in psychology at Panteion University of Athens (summa cum laude) alongside music studies at the Conservatorium of Athens (cum laude). She then pursued a Research Master’s in Social and Organizational Psychology (cum laude) at the University of Amsterdam, where she later earned her PhD in Social Psychology in 2018. Following her doctorate, she was appointed Assistant Professor at the same institution. She has held visiting positions at Columbia University and the University of California, Berkeley. Eftychia’s research, situated at the intersection of art and social science, has been supported by prestigious grants from the Netherlands Organization for Scientific Research (NWO)—including Onderzoekstalent, Rubicon, Veni, and Open Competition programs—as well as the Fulbright Program and the European Commission (Horizon2020). In 2020, she received the triennial Early Career Award from the European Association of Social Psychology (EASP). Collaborating with established cultural institutions such as Google Arts & Culture, Carnegie Hall, the Guggenheim Museum Bilbao, and Singer Laren, her work bridges academic inquiry with real-world impact. She directs the Amsterdam Arts and Social Sciences (AARTSS) lab, co-founded the Art and Research in Transformation of Individuals and Societies (ARTIS) consortium, and organizes the Where Art Meets Science event series at UvA's Institute for Advanced Study (IAS).
Research Interests
My research centers on the interplay of art, culture, and norm violations. My earlier work investigated how people perceive norm violators and the conditions under which such individuals gain power. This research uncovered critical limitations to norm violators’ upward mobility, including cultural context (e.g., violators are perceived as powerless in collectivistic societies), observer status (e.g., high-status observers hinder violators’ ascent), and domain specificity (e.g., deviance is rewarded in artistic fields but penalized in business). My current work explores artworks as cultural catalysts capable of challenging societal preconceptions and reshaping collective worldviews. I investigate responses to art that disrupts entrenched norms, such as gender stereotypes and heteronormativity, and analyze socio-cultural mechanisms that suppress deviant artistic content (e.g., cultural tightness). A key focus involves tracing the subtle expression and subversion of gender stereotypes in films and paintings, revealing how gender bias in art both reflects and perpetuates societal inequality. In ongoing projects, I examine how profound aesthetic experiences, such as awe-inspiring art, influence young children’s social development, alongside how early musical exposure fosters children's exploration and openness to novel ideas.